Modern abstrct minimalist artists8/23/2023 Since 1965, he has been the focus of hundreds of solo exhibits in museums and galleries all around the globe. LeWitt rose to prominence in the late 1960s with his wall drawings and “structures” (a word he preferred over “sculptures”), but he was as productive in drawing, printing, photography, painting, installation, and artist’s books. Solomon “Sol” LeWitt (Septem– April 8, 2007) was an American artist who was associated with a number of styles, including conceptual art and minimalism. A retrospective of Stella’s career was displayed at the Kunstmuseum Wolfsburg in 2012. Since then, his work has been the topic of several retrospectives in the United States, Europe, and Japan. Stella’s work was included in a retrospective at the Museum of Modern Art in New York in 1970. Stella’s work was included in various shows in the 1960s, including The Shaped Canvas (1965) and Systemic Painting (1966) at the Solomon R. One such work is Die Fahne Hoch!(shown above). This new style was expressed in the Black Paintings (1959), a series of new paintings in which regular bands of black paint were divided by extremely thin pinstripes of unpainted canvas. Many of the works are made by just following the course of the brush stroke, which is often done with basic home paint. This was a break from the traditional method of beginning a painting with a sketch. At the time, he defined a painting as “a flat surface with paint on it – nothing more.” Stella married Barbara Rose, who went on to become a well-known art critic, in 1961. He started to create works that stressed the image-as-object rather than the picture as a representation of anything, whether in the physical or emotional worlds of the artist. He rebelled against the emotive use of paint by most abstract expressionist artists, instead gravitating toward the “flatter” surfaces of Barnett Newman’s work and Jasper Johns’ “target” works. Stella now lives and works in New York City. He is known for his work in minimalism and post-painterly abstraction. Frank Stellaįrank Philip Stella (born May 12, 1936) is a painter, sculptor, and printer from the United States. Since the 1970s, Kusama has continued to create art, mostly via museum installations. She moved to New York City in 1958 and became involved in the New York avant-garde scene, notably the pop-art movement, throughout the 1960s.Įmbracing the rise of the hippie subculture in the late 1960s, she rose to prominence by arranging a series of events in which people were painted with brightly colored polka dots while naked. However, Kusama was inspired by American Abstract Impressionism. Kusama was raised in Matsumoto and studied traditional Japanese painting at Kyoto City University of the Arts in the nihonga style. She is regarded as one of the most important living Japanese artists. Her work is conceptual in nature, with elements of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, as well as autobiographical, psychological, and sexual themes. Yayoi Kusama is a contemporary Japanese artist who works mostly in sculpture and installation, but also in painting, performance, video art, fashion, poetry, and fiction, among other mediums. Judd taught at the Allen-Stevenson School in the 1960s, the Brooklyn Institute of Arts and Sciences (1962–64), Dartmouth College in Hanover (1966), and Yale University in New Haven (1967).īeginning in 1983, he taught on art and its link to architecture at colleges around the United States, Europe, and Asia.ĭuring his lifetime, Judd wrote a substantial corpus of theoretical papers in which he vigorously championed the cause of Minimalist Art these essays were released in two volumes in 19. He is widely regarded as the foremost worldwide proponent of “minimalism,” as well as its most prominent theorist, thanks to works such as “Specific Objects” (1964). Judd sought autonomy and clarity for the manufactured item and the space it produced in his work, eventually reaching a strictly democratic presentation devoid of compositional hierarchy. Donald Clarence Judd (J– February 12, 1994) was an American minimalist artist (a term he rejected strongly).
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